Those inputs can also be switched to line, so you could take a line out of the PA or whatever. It has some great swappable 'built-in' mics and can take 4 more. Do you have a sound man? Even if he is just running vocals in the PA, he can walk the room, come up to the stage and tell the bass player to turn down.Īnother thing to consider is a more 'capable' device. The downsides are 1) you will get a less crisp, echo-y sound, and 2) your band has to actually be "balanced in the room". Moving the recorder to the back of the room will eliminate imbalances caused by varying proximity - for example if the drums in the center are too loud and the guitars way off on the sides are too soft, moving back will help balance them out. If your band is actually balanced in the room, and you find the right spot, you may have a lot less 'rescuing' to do. Maybe you could "waste" your next gig and move the recorder to a different location after every song (and write them down!) Find the ideal spot to put it. If someone recorded the whole song on their phone, and he was sitting near the keyboard player, that might give you a "keyboard" stem, if you can sync it up.īut the obvious solution is to get the balances correct in the recording. I also have done serious recordings on my portable Pro Tools system where I synced up the Zoom as a room mic.ĭigital timing is steady enough these days that many 'free running' devices will stay in sync for at least one song if you line them up properly at the beginning. I was originally planning to use the camera mic only to sync up the picture to my audio, but I realized it was helping so I left it in. I did a video thing where the camera mic was blended back in with the Zoom recorder and because it was in a different place, gave be some more options. I believe you can rent the software, so you can maybe try it and see of it does what you want.Īnother thing that might help is synchronizing any other recordings you may have. It's one of those things that I used to tell my students was "impossible" as recently as 10 years ago. There is a software called ADX that can, after a fashion, extract elements from a mixed signal. I have done your idea of making copies and effecting those copies in different ways, but IMO this is kind of a Last Resort sort of thing. Beyond that, there isn't much else you can use that's going to do much.Īs said above Mastering techniques can pull different elements up or down even though the track is theoretically "mixed". Then maybe some exciters for the top end, stereo widening to make it sound bigger then a brick wall limiter to get the music as loud as a commercial recording. Then a multiband compressor can do wonders balancing the dynamics at different frequencies, especially getting the bottom end to glue itself together. A stereo EQ may be able to target some rogue resonances and even things up. Just realize Its not like you can adjust a vocal part up if its weak in the mix or back a bass down if its distorting. You could use mastering tools to enhance what you recorded. You can "master" a stereo file, but you don't have access to separate instruments in those tracks so there's really no mixing possible. No mixing is going to fix a poor performance. On the other hand, If the band is green, has poor tone and performs poorly, that's exactly what the recorder will capture. They can do a very decent job If the band sounds hot and has great tone. I've used those hand held recorders before.
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